I wanted to paint all of the snow that I could before it melted away. This is the same morning as the 1840 Homestead panting. I took a bunch of images as I was hunting for the right bit of inspiration. It was a really wet, windy day with wascally thunderstorms - the studio was the only game in town.
The tracks were much too large for the red fox that we were seeing regularly. These tracks had to be from a coyote or coywolf. The coywolf is a cross-bred predator that shares the property with us. There are many predators at Singleton Lake but they were here first and belong on the land more than we do. I give everything a safe habitat - safe from humans that is. They are not necessarily safe from each other. Brere Fox wanted to have a piece of the family cat just previous to painting this work.
I was walking. You will not see any toe or heel kicks in my tracks. The coywolf was walking as well.
The tracks were much too large for the red fox that we were seeing regularly. These tracks had to be from a coyote or coywolf. The coywolf is a cross-bred predator that shares the property with us. There are many predators at Singleton Lake but they were here first and belong on the land more than we do. I give everything a safe habitat - safe from humans that is. They are not necessarily safe from each other. Brere Fox wanted to have a piece of the family cat just previous to painting this work.
I was walking. You will not see any toe or heel kicks in my tracks. The coywolf was walking as well.
http://fineartamerica.com/featured/making-tracks-phil-chadwick.html
|
No comments:
Post a Comment