Wednesday, January 29, 2014

The Polar Vortex

Can we talk about the weather?
Just like the circus act that juggles plates on a stick, meteorologists juggle two plates – one over both of the earth’s poles. Each of these spinning plates is a circumpolar vortex but the one over the Canadian Arctic has hit the main stream media and become famous as the “polar vortex”. The jet stream wraps around the polar vortex directing Arctic air far to the south.  The larger and stronger the polar vortex, the further south the chilly Arctic air is delivered by the jet stream. The polar vortex is strongest and thus more newsworthy in the winter when there is no sun and 24 hours of darkness. Minus 2 in New Orleans is enough to chill out the preparations for Mardi Gras and six inches of snow has paralyzed Atlanta, Georgia. The blue sky blizzard in southern Ontario might be very rare but still can be attributed to “winter in Canada”.
I expected an El Nino pattern to explain the current polar vortex but the ENSO is apparently in a neutral phase that is expected to last into the summer. The El Nino pattern of a large ridge of high pressure on the west coast and a deep trough over eastern North America would have given a perfect home for the current polar vortex over Hudson Bay and northern Quebec. A fresh supply of fresh, chilly Arctic air would be delivered southward by such a large cyclonic circulation. Alas, El Nino is not to blame.
These large amplitude blocking patterns can also be the result of a weakening jet stream. The mean speeds of the jet stream have reportedly diminished by 15% in the last 15 years – more or less. I partially use these numbers because they are easy to remember. Climate change and the greater warming of the poles as compared to the equatorial regions have diminished the temperature contrast between the two regions. Less temperature contrast results in a weaker jet stream – the simple thermal wind equation. It is paradoxical that warming in the Arctic can create a stronger polar vortex in a higher amplitude atmospheric pattern that delivers the cold air further south.
None of this is new. The term “polar vortex” has been used since the 1950’s and climate change was important from my early days as a meteorologist starting in1977. What is new is to see these changes evolve within one’s own meteorological career. Atmospheric blocking patterns used to be rare. They are much more common now with the meandering and weakening jet stream. I even wrote a COMET module on them included within the Satellite Palette because of their importance to weather prediction. Some notable 2013 severe rain events like those in Boulder, High River and Toronto were all linked to atmospheric blocks. The associated areas of fair weather in the blocks do not make the news.
Meanwhile in the upper ridge portion of this polar vortex pattern, California is hot and dry with record low relative humidity (5%), it is sunny and mild in Vancouver and Alaska is warm with rain. Heavy rains, snows, and warm temperatures helped to trigger a‪ series of huge avalanches that have blocked a 100 km section of the ‬Richardson Highway, the only road into Valdez, Alaska (population 4,000), located about 200 km east of Anchorage.
Atmospheric blocks of a bunged up atmosphere is what all of this is about and just maybe these will be the new words that the media sensationalizes. I can hardly wait. Do not expect the Numerical Weather Predictions to do very well with these patterns.

Tuesday, January 28, 2014

Singleton Lily Pads

Lily pads are my favourite. The colours of green are countless and transform with the light. The overlapping shapes are also interesting. Although they turn brown and wither, lily pads never get old for me artistically. I will paint some more...
This is a "SSS" painting - a small, slippery surface painting on a panel mounted on one of my Dad's stretcher frames. There is no tooth to the surface so one is force to go wet on wet. It was a fun experience.

Monday, January 27, 2014

Lily Swirls - and Please Ignore Weird Posts - They are not from me!

I made some more time for lily pads. They are fun. I liked the lilies than have gone past their prime and were more brown and orange than green. I used all of my blues and yellows to mix just the right colours for these lily pads. I do not as a rule use green paint. With no tooth on the panel surface I had to swirl the paint on to the panel in pools of colour. What could be more fun?

You may have noticed some very weird posts. My research shows they are probably "referrer spam hits from search engines" and somehow the entries are posted on my site. I have contacted Google twice to correct this problem. Linked-In change of password notification posted on my Blog is an example of this or maybe another problem. I just want to paint and share the art - and not worry about the dark side of the web. Please bear with me while I track this problem down. 

Saturday, January 25, 2014

Long Reaching Sunrise

The sunrise was striking ... and very fleeting. A low pressure area was on the way. The rising sun illuminated the bases of the thickening cloud in a fiery display. The colours change by the minute. As soon as the sun angle gets higher than the cloud bases, this light show will vanish in a flash.
I love to paint skies - each one tells a story. This sun rise would have a long reach (on Long Reach Lane) and impact the weather story for the next couple of days. 

Wednesday, January 22, 2014

In the Birch's Shadow

The old white birch could be anywhere but it is not. Apparently it was a significant tree almost 100 years ago - if I have my facts right. The fact that the birch is still standing is a bit of a miracle for birches. Frankly I find it hard to believe that a birch can live that long. Just perhaps it only dates from 1956 when Judge William T. Little located Tom's grave "about twenty feet north of the cemetery fence". This birch is described in Little's book. The fencing around the Mowat Cemetery has not done nearly as well. Anything man-made is fleeting - just like this painting.
Regardless, the midday shadow of the old birch points to the resting place of one of Canada's most talented artists. His craft and artistry spoke volumes and does not need any mystery to keep his legend alive. The real tragedy is that Tom was on the verge of creating more spectacular works of Canadian that we can only wonder about. Tom still lies at Mowat and the site is a touch-stone for many Canadians.

Tuesday, January 21, 2014

Singleton Sunset

Aleta Karstad and her husband Fred Schueler came to Singleton Lake for a visit. We saved just enough time to paint the setting sun, from the relative comfort of the sun room. Does this qualify as plein air painting? I don't think so - but it was fun.



Monday, January 20, 2014

Wedgewood Author Series - This Wednesday January 22nd

We all talk about the weather but there is really so much more to learn. The sky is like a book and we just need to learn a simple vocabulary in order to read and better understand it. I will be talking a bit about the "Weather of Ontario" next Wednesday. Please come - it might be fun. It will be different! I will have copies of the book for you to take home and study. Note there is "no exam" following this presentation.

Saturday, January 18, 2014

The Old Birch

This old white birch could be anywhere but it is not. It is in the Mowat Graveyard not far from the resting place of Tom Thomson. The Mowat site is a touch stone for several generations of Canadian artists and Canadian enthusiasts. Tom was never moved from that site.

The skeleton exhumed by Judge William T. Little in 1956 was re-buried and marked with a cross. Roy MacGregor believes the small cross currently at the Mowat Graveyard was erected for a documentary film in 1969 and is not the same wooden cross erected by Little to mark the grave site that he and his co-workers discovered. This cross is twenty feet north of the cemetery fence. Roy MacGregor says the exact location of the reburied remains is somewhere else "in the tangle of raspberry canes, dead spruce, rotting leaves and pine needles, somewhere beneath the saplings fighting for light and the lovely yellow wildflowers that grow all along the trail up to his grave. . . ." My friend Neil J. Lehto has studied and written extensively on the Tom Thomson story. His book "Algonquin Elegy" is well worth the read. 

Wilson Street Studio Art Retreats for 2014

This will be fun. Come, canoe and paint in the Kawartha Highlands. I can promise some stories and the official long range weather forecast is "partly cloudy with highs near 25".
Kawartha Highlands PP: 5-days-Wednesday Aug. 6 to Sunday Aug. 10, 7 artists maximum, with room for some spouses/partners. This is a canoe-in, self-supplied retreat. See site for more details.
Artist: $600 (no discount for non-artists) Canoeing experience suggested. At least one portage involved. Canoe provided.