The snow that was foretold by the sunrise altocumulus had arrived. It was too
snowy and cold to work outside overlooking Jim Day Rapids so I had to retreat to
the studio. You can paint outside in light snow. The snow mixes a bit with the
paint and changes it to a oatmeal consistency which isn't all that bad - it
gives a lot of texture to the final work.
I painted without my glasses in order to concentrate on shape and colour -
and not fiddle with brush strokes and the finish of the oil on the canvas.
1 comment:
That's an awesome painting, Phil! Isn't it true that often the painting situations that present the most problematic conditions end up having a special charm!
This one has almost the quality of a watercolour, it's so fresh!
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